Anyone expecting a thriller packed with gore and mayhem will be disappointed, so be prepared for a movie that rewards patience and a close attention to small details.Ĭalibre‘s moments of outright violence are sparing yet pack a hefty punch above all, it’s an absorbing, gripping story that shows, quiet convincingly, how one horrible mistake can lead to another, until the web of deceit becomes a tangle that’s impossible to escape.Ĭalibre is available to watch now on Netflix. Told with a brutal efficiency that makes the most of its low budget, Calibre is a terrific drama-thriller about suspicion and gnawing guilt.
Running at a lean 100 minutes, Palmer’s film gives us the measure of these characters in a short scene or two: one particular sequence in a busy pub, where we’re unsure of who knows what about whom, positively hums with quiet menace. Tony Curran, meanwhile, is equally good as one of the pillars of the village community, while Ian Pirie is flat-out scary as his older, more intimidating brother. Lowden and McCann are difficult to fault as the two leads – particularly as they grow increasingly haunted and cornered by their own misdeeds. Gradually, Vaughn and Marcus’ character flaws are laid bare, from the former’s easy-going tendency to cave into the wild ideas of his friend, to Marcus’ appetite for drink and drugs at the same time, we see how an increasingly impoverished part of rural Scotland reacts when a pair of wealthy out-of-towners start disrupting their way of life. In his debut feature, Palmer confidently balances our sympathies, between the two leads – who in essence are anti-heroes at best – and the assorted beer drinkers, farmers and hunters who make up the supporting cast. Calibre is a lean and oppressively dark thriller set in the Scottish Highlands that announces Matt Palmer as an exciting new filmmaker and Jack Lowden as a star. Netflix Edinburgh Film Review: ‘Calibre’ Reviewed at Edinburgh Film Festival (Best of British), June 22, 2018. However, I have seen the house that it built, and it is terrific.Thereafter, Calibre takes on a vaguely Kafka-esque air, as Vaughn and Marcus try to hide the fallout of their fateful trip to the woods from the locals. The Guardian’s Peter Bradshaw gave the film a miserly two stars. For his part, the British thespian was droll about the film’s dubious merits, famously saying: “I have never seen it, but by all accounts it is terrible. A 97 audience rating suggests that A Man Called Otto is a real crowd pleaser that critics may not be giving enough love. So, by combining RTs aggregated review scores with the list of whats new on Netflix, weve found a good way to deliver you a list of solid recommendations that you can believe in. Alas, Caine did not exactly cover himself in glory. With Roy Scheider having left the franchise after Jaws 2, it was in need of some star presence. It should have been a coup to land Michael Caine for the fourth entry in the Jaws franchise. Read more: 25 brilliant films that bombed at the box office He’s scarcely much better as a younger J Edgar Hoover, mind – this is a bad, indulgent film, one which the Titanic star does not manage to elevate. After barely surviving the events of the first movie, Rake is back as the Australian black ops mercenary, tasked with another deadly mission: rescuing the battered family of a ruthless Georgian. Filmed back in the heady days before DiCaprio’s Best Actor win, the turgid biopic was a transparent ploy for Oscar gold, and saw the actor don terrible prosthetics to play an elderly version of the controversial FBI director. It’s a testament to DiCaprio’s consistency that there’s not much to choose from by way of bad performances J Edgar, however, is an outright stinker.
The film was savaged by viewers on social media, with one critic writing that Hardy “grunts, coughs and s***s his way through scenes that lack any form of direction, sympathy and/or purpose”. But these big choices don’t always pan out, leading to bizarre results in films such as last year’s strange Al Capone biopic. This is what makes him great it’s a big part of what imbued films like Bronson or Mad Max: Fury Road with such unique, specific energy. His role as the animal-fluent doctor in Dolittle must be the worst, however – a charmless and insipid spin on a classic children’s premise.Īs an actor, Tom Hardy makes big choices. Calibre - (2018) - Netflix 1h41m - Dramas - 5. It’s no small shame, therefore, that his acting career after the success of Iron Man has pretty much been confined to Marvel’s Tony Stark – since The Avengers in 2012, his only sizable non-MCU roles have been The Judge and Dolittle, both of which could be charitably described as letdowns. There have been few men as naturally charismatic as RDJ the camera loves him, and so do audiences.
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